> Mark,
>
> Well melodic lines is the best place to start. That's what
> I'm referring to, especially in the context of learning to
> solo.
>
> Transcribing chord progressions or voicings can be very tricky and
> has alot more to do with experience, i.e. how many tunes you know
> and how many voicings you now.
>
> Some people that have perfect pitch can instantly take apart the
> harmony.
I ponder:
That's interesting. I know some people with perfect pitch who can't
transcribe harmony at all, claiming that there are too many overtones for
them to seperate the notes. I can usually get something approximate, but
getting every alteration is a problem.
Mark