It's not THE ONLY way. How about putting some triplets in there?
> If you transcribe Charlie Parker or Dizzy Gillespie solos
> and melodies they tend to add chromatic notes in key places in their scales
> so that the R,3,5, and 7th fall on the strong part of the beats: 1,2,3, or 4
> and the chromatic notes fall on the weak parts of the beat: on the "ands" of
> the beats.
>
> The simplest way to do this is to add the major 7th to the mixolydian scale,
It is not the simplest way, it is THE ONLY way. It is impossible to add another
tone to the mixolydian scale in such a way, that the R,3,5 and 7 fall on the
down beat. The next chart is an overview of the 'bebop scale' possibilities:
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