> A favorite ending of mine, when the final note of the tune is the root,
> is to play the #5Maj7, followed by the #9Maj7, followed by the I, with
> the melody note staying on top. In C, that is:
>
> AbMaj7, DbMaj7, CMaj7.
>
Isn't DbMaj7 the b9Maj7 of C, rather than the #9?
--Bob