Re: intros and endings

Bert Ligon ( BLigon@mozart.music.sc.edu )
Tue, 31 Dec 1996 10:38:30 -0500

>A favorite ending of mine, when the final note of the tune is the root,
>is to play the #5Maj7, followed by the #9Maj7, followed by the I, with
>the melody note staying on top. In C, that is:
>
>AbMaj7, DbMaj7, CMaj7.
>
>This could be considered a variant on ii-V-I, since Ab and Db are the
>tritone subs of ii and V respectively.
>--
>\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////
>Lawson G. Stone-Asbury Theological Seminary-Wilmore, KY
>////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\
>Prediction is very difficult, especially of the future.
>--Niels Bohr

Or, in C:
Bbmaj9, Ebmaj7, Abmaj7, Dbmaj7, Cmaj7

_______________________________________
Bert Ligon
Director of Jazz Studies
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School of Music
University of South Carolina
Columbia, SC 29208
Voice: (803) 777-6565
Fax: (803) 777-2151
bligon@mozart.sc.edu
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