Well, knowing your scales and arpeggios are necessary, yes. But that's where
it only just begins for those who wish to play music. I teach many bassists,
and at first do have them learn the mechanics like scales, modes, arpeggios.
But once you know them, what are you going to do, practice playing them
faster and faster, and faster still? NO. You're going to want to learn to
make music from them.
I feel that your practice time should be spent learning things you don't
know, that is the essence of practicing, for the most part, and by filling
your head with new things to try, is a big part of that. But much of that
material can be practiced without the bass, by using your ears. Try singing
arpeggios to popular songs on the radio, to see how well you really know
them, or a Dorian mode etc.. That makes for a bit of fun, sometimes, then add
tensions, and try new songs as they occur on the radio, that'll help you!
Also, sing solos or bass lines along with the radio.
Of course, another great way to spend some practice time, is to learn songs
or parts that genuinely interest you, not what people think you have to
learn. Have an open ear to new music, but concentrate on the music you enjoy
most. I feel also that reading is important, too. If you read new music, like
cello suites, or trombone literature, or even real book heads, you'll come
across stuff, that sounds new and interesting. Also, listen to the records
that you admire. If you feel like the material is stimulating enough to
listen and read, keep going! Ask yourself questions and seek out the answers!
That's growth, in my point of view, and no two players are alike. If the
harmony or melody of certain styles appeal to you, learn more about it!
Sometimes, when I do a session, and the artist is explaining their infuences,
I get ideas of some new records to buy, or new roads to travel on!
Many of my bass students have made enormous leaps in their playing by virtue
of some of these concepts!
Thank you
Mark A Corradetti
NASHVILLE