Re: laerning chords through the use of tunes

CLAY MOORE ( cmoore4@ix.netcom.com )
Sun, 12 Jan 1997 09:48:50 -0600

jason carnevale wrote:
>
> hello everyone,
>
> I want to thank everyone for their input on my last post, "practicing",
> it was very helpful. I have been working on the rootless chord sets that
> Reed posted , these have helped me sort through the many chord forms I
> have worked out and isolate the ones that are more useful and will get
> the most mileage. I have not worked tensions into these forms yet but I
> will slowly get to that. Are there any suggestions on how to apply these
> chord forms to a tune? what rhythm should I use to practice these forms
> over a tune? any info. on practicing new chord forms by using a tune
> would be very helpful.
>
> I would also like to know how you transcribe changes off a record? what
> techniques do you use to find the chord voicings the guitarist or piano
> player are using?

Jason,

About what rhythm to practice, I recommend using the "Charleston"
rhythm,
based on the melody to the tin pan alley tune. Play the chord on beat 1
and the and of 2. The rhythm to "Killer Joe" by Benny Golson is another
place this is used. It's a simple pattern that is swing oriented, and by
having one aspect (the rhythm) worked out you can apply your
concentration
to the voicings. Don't try too many at once; take a dominant chord
through
a tune like "Sweet Georgia Brown", or "Sweet Georgia Bright" for that
matter.

About transcribing changes from a record: I find that guitarists tend to
use a lot of the same voicings, because of the structure of the
instrument,
so learning the stock "jazz guitar chords" will help because they crop
up
a lot. I used to practice sounding out each note in any chord I was
learning
and singing the notes, which I think helped me to hear them more
clearly.

Clay