Re: Superimposition
reed ( (no email) )
Wed, 22 Jan 1997 10:37:05 +0000
At 12:44 PM 1/22/97 -0500, you wrote:
>reed wrote:
>>
>> Not true.
>>
>> Chord quality substitution is always worth a try and will often work.
>>
>> I.e. Cm7 = C7 = Cm7b5 = Cmaj7 = Cdim7
>>
>
>SNIP-Edited for space
>
>I have a question about this example. The first three all make good
>sense to me. All three contain Bb, a flatted 7th. But Cdim7 actually
>contains the double-flatted 7th, which is actually the 6ths. Thus it
>could be said to contain no seventh, flatted or major. On the other
>hand, C#dim7 contains the 3rd, 5th, and b7th of C and is an easy sub for
>C7. I'm having trouble seeing and hearing how this sub works.
>
>I look forward to the lucid and helpful explanations that this group so
>often provides.
>--
>\\\\\\\\\\\\\\\\\
You need to go through my chord sub expositions like I said
in my previous mail.
Just because it's free doesnt mean it's not valuable.
You won't find anything that clear in any book and it took
me years and cost me a small fortune to learn how that stuff works.
However, I'm not going to spend anymore time going over things
that I've already provided copious examples of.
It's all there.
reed
Reed Kotler
reed@justjazz.com
http://www.justjazz.com