Re: Superimposition
kroger@ucla.edu
Wed, 22 Jan 1997 14:54:20 -0800
>At 12:44 PM 1/22/97 -0500, you wrote:
>>reed wrote:
>>>
>>> Not true.
>>>
>>> Chord quality substitution is always worth a try and will often work.
>>>
>>> I.e. Cm7 = C7 = Cm7b5 = Cmaj7 = Cdim7
>>>
>>
>>SNIP-Edited for space
>>
>>I have a question about this example. The first three all make good
>>sense to me. All three contain Bb, a flatted 7th. But Cdim7 actually
>>contains the double-flatted 7th, which is actually the 6ths. Thus it
>>could be said to contain no seventh, flatted or major. On the other
>>hand, C#dim7 contains the 3rd, 5th, and b7th of C and is an easy sub for
>>C7. I'm having trouble seeing and hearing how this sub works.
>>
>>I look forward to the lucid and helpful explanations that this group so
>>often provides.
>>--
>>\\\\\\\\\\\\\\\\\
>
>You need to go through my chord sub expositions like I said
>in my previous mail.
>
>Just because it's free doesnt mean it's not valuable.
>
>You won't find anything that clear in any book and it took
>me years and cost me a small fortune to learn how that stuff works.
>
>However, I'm not going to spend anymore time going over things
>that I've already provided copious examples of.
>
>It's all there.
>
>reed
>
>
>Reed Kotler
>reed@justjazz.com
>http://www.justjazz.com
There are other people on the list qualified to answer his question, Reed.
I don't think he was particularly addressing the request to you, we all
are aware of how much work you've done already here.
Jim
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