Re: Superimposition

walterstr@fau.campus.mci.net
Wed, 22 Jan 1997 18:37:24 -0500 (EST)

I'd like to also add that the melody note will have quite a bit to do with
which substitution works- if there is no melody note (i.e. during solos)
sometimes a CM7 can replace a C7 for a change of "color".

At 12:44 PM 1/22/97 -0500, you wrote:
>reed wrote:
>>
>> Not true.
>>
>> Chord quality substitution is always worth a try and will often work.
>>
>> I.e. Cm7 = C7 = Cm7b5 = Cmaj7 = Cdim7
>>
>
>SNIP-Edited for space
>
>I have a question about this example. The first three all make good
>sense to me. All three contain Bb, a flatted 7th. But Cdim7 actually
>contains the double-flatted 7th, which is actually the 6ths. Thus it
>could be said to contain no seventh, flatted or major. On the other
>hand, C#dim7 contains the 3rd, 5th, and b7th of C and is an easy sub for
>C7. I'm having trouble seeing and hearing how this sub works.
>
>I look forward to the lucid and helpful explanations that this group so
>often provides.
>--
>\\\\\\\\\\\\\\\\\\\\\\\\\\\\////////////////////////////
>Lawson G. Stone-Asbury Theological Seminary-Wilmore, KY
>////////////////////////////\\\\\\\\\\\\\\\\\\\\\\\\\\\\
>Prediction is very difficult, especially of the future.
>--Niels Bohr
>
>

Tim Walters @j
walterstr@fau.campus.mci.net
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