At 11:46 PM 3/5/97 -0800, you wrote:
>Now that I've praised Mark Levine's books, and joined in his enthusiasm
>for melodic minor harmony, I wanted to mention that I've always been a
>bit puzzled that he completely omitted (I think) mention of the harmonic
>minor scale from his first book, even though a single harmonic minor
>scale can be a common thread through a minor ii-V-i progression (iim7b5,
>V7b9, Im(maj) ), as opposed to using a separate melodic minor scale on
>each chord.
>
>I actually asked him about this at a seminar once, and he pointed out all
>the "avoid notes" in the harmonic minor version, drawing laughs from the
>audience. I though he was a bit condescending about it, but I got over
>it. He stresses how much prettier the iim7b5 chord is with a natural
>ninth, though I think he exaggerates this.
>
>On a tune like "Morning of the Carnaval", noodling over the changes using
>the harmonic minor
>seems utterly appropriate, and is easier for a beginner than shifting
>gears to a different melodic minor "key" on each chord.
>
>Any comments?
>
>Richard
>
>
>
>
Tim Walters @j
Director of Jazz Studies
Florida Atlantic University
Boca Raton, FL 33431
(561)367-3824, 367-3820
walterstr@fau.campus.mci.net
"Put the trumpet down, and slowly back away."